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The Social History of Smoking

George Latimer Apperson

Chapter 3:

The druggist-tobacconists were well stocked with abundance of pipes—those known as Winchester pipes were highly popular—with maple blocks for cutting or shredding the tobacco upon, juniper wood charcoal fires, and silver tongs with which the hot charcoal could be lifted to light the customer's pipe. The maple block was in constant use in those days, when the many present forms of prepared tobacco and varied mixtures were unknown. In Middleton and Dekker's "Roaring Girl," 1611, the "mincing and shredding of tobacco" is mentioned; and in the same play, by the way, we are told that "a pipe of rich smoak" was sold for sixpence.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

Thirty years or more ago the late Andrew Lang wrote an article entitled "Enchanted Cigarettes," which began-"To dream our literary projects, Balzac says, is like 'smoking enchanted cigarettes,' but when we try to tackle our projects, to make them real, the enchantment disappears-we have to till the soil, to sow the weed, to gather the leaves, and then the cigarettes must be manufactured, while there may be no market for them after all. Probably most people have enjoyed the fragrance of these cigarettes and have brooded over much which they will never put on paper. Here are some of 'the ashes of the weeds of my delight'-memories of romances whereof no single line is written, or is likely to be written." What Balzac said in his "La Cousine Bette" was-"Penser, rêver, concevoir de belles œuvres est une occupation délicieuse. C'est fumer des cigares enchantés, c'est mener la vie de la courtisane occupée à sa fantaisie." Balzac's cigars became cigarettes in Lang's fantasy. The French novelist seems to have been one of those who praised tobacco without using it much himself. In his "Illusions Perdues" Carlos Herrera, who was Vautrin, says to Lucien, whom he meets on the point of suicide: "Dieu nous a donné le tabac pour endormir nos passions et nos douleurs." M.A. Le Breton, however, in his book on Balzac-"L'Homme et L'Œuvre"-says: "Il ne se soutient qu'à force de café," though he would sit working at his desk for twenty-five hours running.

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